2MiliION
Hailing from Northampton, 2Miliion is a rapper, producer, and bassist; blending raw lyricism with genre-defying production.
Beyond her solo music, she is a founding member of the Killers of Sound Collective, frequently collaborating with her co-artists - serving up a bouncy, end-of-rave feature on Arawzi’s ‘EGO’, and a hyper, yet nonchalant, verse on 4EVA’s ‘AURA’.
In addition to KOS, 2Milli also serves as the bassist for Baby Doll Dead Beat - with their music possessing a rough, punky edge; 2Milli’s bass fits perfectly beside the sounds of her bandmates, Crusty Jean, Emily, and Arawzi.
Whether crafting atmospheric rap, or punk-inspired rock, 2Miliion is an artist defined through her freewheeling, excitable sound: uniquely fusing the timeless tones of classic hip-hop, with the pounding energy of modern EDM.
In addition to her work with Killers of Sound Collective and Baby Doll Dead Beat, 2miliion’s collaborations with other artists showcase her versatility across a range ofstyles.Her feature on E’squeeze’s Master of Ceremonies highlights her ability to switch gearsinto a more playful, swagger-filled mode. Her verse on the track exudes confidence, witha lighthearted, yet still commanding delivery that contrasts sharply with the darkertones of her solo work. This upbeat, carefree side of 2miliion adds a dynamic layer to herartistry, showing that she can bring energy and charm to a more mainstream, playfulvibe without losing her authenticity.
Similarly, her feature on Elevator Going Up reveals another side of her musicality, whereshe takes on a more indie, alternative style. Her verse on the track feels smooth and introspective, demonstrating her ability to adapt her flow to suit the softer, more melodiclandscape of indie music. This versatility is one of 2miliion’s defining traits experimenting with more atmospheric, genre-blurring sounds, she consistently brings a fresh, uniqueperspective to every collaboration.her collaborative work with Arawzi creates a distinctive sonici dentity Together, theyfuse harp hip-hop lyricism and rapping with the pulse of teco, creating a sound that feelsboth cutting-edge and deeply rooted in underground music culture.
Cult Classic [produced by Judge], is one of 2Milli’s standout tracks.
Both personal and disruptive, rich, unsettling visuals are layered beside barbed, inventive wordplay, with its eerie beat behind complementing the rawness of her story-telling.
Weaving elements and experiences from her own past beside a slasher-horror narrative, the result is a track that is energetic, emotional, charged, and haunting.
Offering listeners a vivid, intimate look into her complex world; it resonates.
Moreover, Cult Classic is a clear demonstration of 2Milli’s versatility when genre-bending - a consistent quality prominent throughout both her solo, and feature work.
Versatile in style, 2Milli has - in addition to tracks with KOS and Baby Doll Dead Beat - collaborated with artists ESSQUEEZE and JSpigz, switching into a more light-hearted, playful swagger for Squeeze’s absolute banger Master of Ceremonies.
